Wade

The Wade series:
- Calls attention to the growing crisis for our water, our environment, our future
- Invites you to consider your stance (and our government’s stance) on what is shaping up to be one of the most serious social issues of all time. Water in Aotearoa New Zealand not so long ago was swimmable and drinkable became described as wadeable. The Wade works add another alternative conversation to the proliferation of official reports, scientific studies and media articles that bring attention to the careless use of our water resources.
- Raises contemporary questions by responding to Hieronymus Bosch’s 500-year-old painting Garden of Earthly Delights. Drawing on the circular pond in the painting, Wade highlights 21st century issues about water and pollution in a series of sculptural works based on the twelve central wading figures with wading birds on their heads.

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Pooling Ignorance, 2016
Patinated, painted electro-galvanised steel, steel bowl, stainless steel, brass fasteners, 6.5 litres Te Waihora water, rust
530 x 530 x 530 mm

Eclipse, 2019
Sequence from animation of 3D scans, Digital print
1200 x 140 mm

Polluted Inheritance - Portraits of five lakes, 2017
Digital print and paint on steel, polluted lake water, rust
Each  230 x 370 x 370 mm

Red Lake: Study for Polluted Inheritance series, 2017
Digital print and paint on steel, water from Lake Waikare, rust
On stand:  1200 x 400 x 400 mm

Be It On Our Heads, 2017
Stone composite, steel, acrylic, bamboo, copper, brass
1530 x 1000 x 1000 mm

WADE, 2017
Digital print on aluminium laminate, acrylic, steel
2400 x 2400 x 1200 mm

Hard to Swallow (Whale-meat Tins), 2014
Tin, 267 units
Each 180 x 80 x 35 mm
Various collections public and private

Make

The making of sculptures in the Wade series – Wade, Be It On Our Heads, Polluted Inheritance

Read

WADE - A publication comprising three illustrated essays by three professionals (art curator, ecologist, social theorist) places Hieronymus Bosch’s work in historical perspective, gives an overview of freshwater ecology, and underscores how contemporary sculpture referencing art history can be a powerful tool in alerting us to reflect on our predicament.

On Our Heads Be ItThis Not So Silent Spring – John Freeman-Moir

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Garden of Warnings – Eefje Broere

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Our Water, Our World – Shelley McMurtrie

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Changing the Global Gaze – Sally Blundel

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COLLECTIONS

- On Watch

- Wade